Chapter II - On The Trail Of
The Hell Hound
Chapter III I shall be looking at beliefs and superstitions
from the British Isles which have been carried over to the U.S.A. and
into black society and the Blues, I have treated the legends of the
"spectral hounds" separately, as it seemed so prevalent in most areas of
Britain. Also of course, one of the most atmospheric Blues ever
recorded, invoked the hell hound with all its Satanic trappings, and was
titled "Hell Hound On My Trail", recorded in 1937.
tales of devilish dogs with large, glaring eyes, etc. can all ultimately
be traced back to Cerberus, the three-headed monster from the Greek
underworld of Hades (see Fig. I), the 'Guardian to the Gates of Hell'.
Scandinavian legend "Hel was the ill-favoured goddess of a gloomy place,
which was the Norse underworld. Norsemen who fell in battle went to
Valhalla, all others went down to Hel's underworld." (1).
Possibly, an early English broadside ballad first popularised the name
'hell hound' drawing on the Scandinavian legend. The ballad called "The
Dead Man's Song" tells how a man's body has apparently "died" and while
his family and friends mourn and prepare for his funeral
his soul goes on a visit first
returning to his body, and on regaining consciousness or "coming
back from the dead", relates the story to shocked relations and
describing his visit to Hell, he included the
covetousnesse these were condemn'd,
so it was told to me:
And then methought another rout
of Hel-hounds I did see."(2).
the other ballads in this volume was printed between 1560 and 1700 and
is the only song on this side of the Atlantic (to date-1991) that refers
to hell hounds, that I have come across, and is also the earliest.
Partridge concurs when he says that the term "hell-hound" dates from the
sixteenth century and became obsolete by the twentieth; although it
lived on in the world of the Blues and the U.S. working-class, black
citizen. Partridge says of "hell-hound" that it was "Perhaps originally
colloquial but certainly soon Standard English"(3). His definition reads
"A man or a woman of a devilish character."(4). Alternative names are
given as "hell-borne babe", "hell-cat", "hell-hag", or "hell-kite""(5).
hell hound as a mythical and hellish beast persisted well into the
nineteenth century in Britain and in Devon and Cornwall in particular.
Clapton quotes the Webster Dictionary: "Webster's defines "hellhound" as
"dog of hell, as Cerberus, in Greek and Roman mythology; the
three-headed dog guarding the gate of Hades."(6). In the famous Sherlock
Holmes story "The Hound Of The Baskervilles", reference is made to "a
hound of hell"(7), and to "The hell-hound of the legend"(8). In the
story, the legend is dated from 1742. In a dedication at the beginning,
Conan Doyle says "MY DEAR ROBINSON: It was your account of a west
country legend which first suggested the idea of this little tale to my
mind. For this, and for the help which you gave me in its evolution, all
old Cornish tale of unknown date relates how a 'poor herdsman' who was
crossing the moors one windy night, came across a hunter and the "dandy
dogs": "the former with saucer-eyes, horns and tail, was clearly the
Devil. He carried a long hunting-pole. There
were many dogs each snorting fire and yelping horribly."(10). The
frightened herdsman falls on his knees end begins to pray. "At once the
hellhounds stood at bay, and the hunter cried out "Bo shrove", which in
the old Cornish tongue means "The boy prays". Then they all drew back
and disappeared."(11). The 'Devil's Dandy Dogs' are described as "A pack
of fire-breathing black hounds found in Cornwall. They had livid fiery
eyes, and followed the devil over lonely moors on stormy nights. If they
captured humans they tore them apart limb by limb."(12).
But the west
country was not the only place to find this phenomenon. "A tradition
found in almost every English county and most North European lands is
that of the Wild Hunt. This was a band. of spectral huntsmen who could
be heard riding past with a noise of shouting, horn-blowing, and the
baying of dogs...The hounds were variously said to be the souls of
unbaptised children, condemned sinners, or demon dogs. In Devon they
were called Wish-hounds or Yeth-hounds, in Yorkshire Gabriel
Ratchets or Gabriel hounds,"(13). Hole elaborates on the Yeth-hounds:
"A child who dies unbaptised is thought to be shut out from
heaven, and for this reason it cannot be
buried in consecrated ground. In Devon such a child
becomes one of the Yeth Hounds who hunt over the moor with the
Devil."(14) These spectral dogs or hounds appeared in other scenarios
besides the Wild Hunt. "Many country lanes were haunted by black or
white dogs which went by different names in different localities. They
were usually described as being of abnormal size, with broad feet which
sometimes pointed backwards, shaggy mane and fierce. "saucer eyes""(15).
A 17th. century writer is quoted referring to different kinds of
devils. They will "... sometimes appear in the likeness of
Hares, Crowes, black Dogs etc."(16).
dog is synonymous with the hell hound and is well-known throughout the
British Isles. Each region having a local name "Black Shuck in Norfolk,
Pooka in Ireland, the Gurt Dog in Somerset, ...'Whatever it is called,
the phenomenon is everywhere the same, a fearful creature haunting
certain spots and old tracks, the sight of which can make a man faint
with horror."(17). One undated report from Devon describes a big black
dog running off while "a stream of sulphurous vapour issued from its
throat."(18), implying its hellish origins. It is normally connected
with "churchyards, crossroads, watercourses and stretches of old roads.
It is also commonly taken as an omen of death."(19).
heading "Ghosts", Jacqueline Simpson reports "The most common of all are
the black dogs"(20), and "In the Trelleck area in 1904 Miss Wherry heard
several vivid descriptions of such creatures from a farmer's wife whose
family seem to have seen them quite frequently; one was 'a great black
beast with flaming eyes'...and yet another, which the woman had seen
herself, was 'a big, big black dog, as large as a calf, an' his eyes
shone like lumps of fire'."(21). Leaving Monmouthshire, we find "Similar
spectral hounds were talked of round Bishop's Castle, Mountford church,
Broomfield and Baschurch in Shropshire,"(22). But as if these horrors
were not bad enough "There was also a widespread belief in an even more
ominous pack of spectral dogs, the Hell Hounds; they could be heard
howling high in the air before the death of some particularly evil man,
whose soul would be their prey. Usually their eerie howls were said to
be loud and shrill, but near
Trelleck some people said they
like a swarm of bees."(23).
from the Greenwood area in the Mississippi Delta, Robert Johnson, was in
Dallas, Texas, for a recording session for A.R.C. record company on a
summer day in June, 1937; as referred to earlier. Johnson,
the archetypal Blues singer, performed his famous and almost "unworldly"
blues "Hell Hound On
got to keep movin', I got to keep movin',
Blues falling down like hail, blues falling down like hail.
Mmmmmmmmmmmm, blues falling down like hail,
Blues falling down like hail.
An' the day keeps on worryin' me, there's a hell hound on my
Hell hound on my trail, hell hound on my trail."
"If today was Christmas Eve, if today was Christmas Eve,
An' tomorro' was Christmas Day.
If today was Christmas Eve, an' tomorrow was Christmas Day.
wouldn't we have a time baby."
"All I wound need my little sweet rider, just to pass the time
Huh-huhh! to pass the time away."
You sprinkled Hot Foot Powder
around my door, all around my door,
You sprinkled Hot Foot Powder
around your daddy's door.
It keep me with ramblin' mind
rider, every old place I go,
Every old place I go."
can tell the wind is risin', the leaves tremblin' on the trees,
Tremblin' on the trees.
I can tell the wind is risin',
leaves tremblin' on the trees,
I need is my little sweet woman an' to keep my company,
hey-hey, my company."(24).
all Blues singers, Johnson, is accredited with being the most
likely as a man possessed by the Devil. Many references are made about
his tormented soul living in perpetual dread of something hellish that
pursued him to the end of his short life; he died in 1938 aged 27 of
alleged poisoning by a jealous woman, or her husband! Johnson created a
'near-Satanic' atmosphere on "Hell Hound". His agonised vocal and
bitter-sweet guitar creating a dissonance that dripped of brimstone,
which pervaded even the comparatively trite words of the second verse.
Hot Foot Powder is one of the charms supplied by the hoodoo man (see Ch.
I.) and Johnson's reference to 'rider' is a form of address to a lover.
Certainly, other references in his Blues would seem to indicate that a
Hellish appointment was imminent with the Devil's 'Dandy Dogs':
enemies have betrayed me, have overtaken poor Bob at last,
My enemies have betrayed me, have overtaken poor Bob at last.
An' there is one thing certain, they have stones all in my pass."
fears realised, he sounds almost resigned, or numbed with terror, to
this morning when you knocked upon my door,
Early this morning, ooooh! when you knocked upon my door.
An' I said 'Hello, Satan, I believe it's time to go'."(26).
If the Hell
Hounds or the 'Devil's Dandy Dogs' were indeed seeking "souls for their
prey", as British superstition has it, then Johnson's must surely have
been one of them. The singer, obviously realising this, looks for the
escape of his
'evil spirit' in the shape of an
earth-bound, trans-continental bus!
may bury my body down by the highway side,"
"Babe, I don't care where you bury my body when I'm dead an'
"You may bury my body, ooooh! down by the highway side.
So my old evil spirit can get a Greyhound bus an' ride."(27).
reflected many a black's solution in the physical world, in the South,
when the oppression of whites and racial 'Jim Crow' laws of segregation
or a rocky marriage/relationship became intolerable; the highways and
escape and freedom.
dog was prevalent in the Southern states elsewhere. Johnson was from
Hazlehurst County in northern Mississippi (the Delta). Around the same
time he was recording "Hell Hound", in the Georgia See
islands, tales from coastal blacks included this one "One night comin
down duh road, I git tuh place weah road turn, an I hear sumpm behine me
runnin' long close tuh ground. He pas close tuh me, an he look a me. I
see urm good. He got long tick haiah lak Noofounlan
(Newfoundland) . Deah ain nebuh bin dog lak um on ilun. He must be
was classed in the same category as a ghost or 'hant'. Also a story,
told more than once, about requiring permission from the spirits to
enter a graveyard and what happened if this requirement was not met.
"Grant Johnson he go deah one time tuh cut wood widout askin' leab. He
bury cuttin' wood wen all ub a sudden, he see big black dog, comin' tuh
um wid one paw raise an red eye an grinnin' teet. Grant he
ain lose no time in gittin' way. Dat dog wuz shadduh wut come, attuh
um."(29). In Atlanta, in 1928, another singer elaborated on this tale.
In his "Next Week Sometime", Alec Johnson (no relation presumably?) goes
to the graveyard at midnight to dig up some gold, which a fortune-teller
has told him is buried there. The 'big, black dog' has been transformed
into 'a form all dressed in white' who offers to help him dig! The gist
of Johnson's answer is 'maybe next week sometime, but brother, not
Perhaps Robert Johnson drew some inspiration from a Texas Blues singer,
J.T. 'Funny Paper' Smith: "the image of the hellhound is also to be
found on J.T. Smith's 'Howling Wolf Blues-No,3', recorded in 1931, six
years before Johnson's song.
my time when I'm prowlin' an' wipe my tracks out with my tail (x2).
Got home an' got blue an' start howlin' an' the hellhound gets on my
quite likely, as Johnson was one of the first Blues singers to draw on
Blues records for ideas and lyrics. But this did not
make him an eclectic artist; far from it, if the Blues singer often
personified the Blues in his/her songs, then Robert Johnson almost
BECAME the Blues and is a genius of the genre. In any event, both J.T.
Smith and Johnson would ultimately be able to gain inspiration (and
confirmation?) from the adoption of the tales of the Black Dog/Hell
Hound, so prevalent even at the turn of the century, in British
K.M.p.74. "A Dictionary Of etc.
R. & A. Riches.P.46.
16.Briggs.p.52. "Pale Hecate's etc.
J. & R.J.M. Richard.-p.122.
Johnson. "Hell Hound etc.
"Stones In etc.
"Me And etc.
Fig.I. Paine.ibid. Opp. p.64.
© Copyright 1992 Max
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