Home Page

Charlie Patton painting © Copyright 2004 Loz Arkle
Painting © 2004 Loz Arkle

Website © Copyright 2000-2011 Alan White - All Rights Reserved

Site optimised for Microsoft Internet Explorer

What is the Blues?
Background to Blues
Chronology of Blues
Artists & Bands Index
Featured Article
Blues Essays
Blues Memories
Blues Festivals UK/E10
Blues Festivals (UK) 09
Blues Festivals (UK) 08
Blues Festivals (UK) 07
Blues Festival Photos
Blues Interviews
Blues Movies
Blues DVDs
Masked Marvel CDs
Blues Internet Mags
Blues Video Clips
Streaming The Blues
Blues Masters
Blues Guitar
Blues Anthology
Blues Paintings
Blues Pilgrimage
Blues Courses
Best of British Blues
Top Twenty Blues
Blues Books
Blues Mall
Old Blues Adverts
Our Blues Links
Visitor Links
Blues Researchers
Cumbria Blues
Lancashire Blues
Lancashire Bands
Lancashire Links
North East England
The Midlands
Southern England
Hall of Fame
Resting Places
Blues Recipies
Guest Book
Blues Forum
What's New
Coming Soon
Search Me!
Search Google

Hero. Legend. Good Bloke.
John Peel OBE, 1939 - 2004

Red Lick Records



Background to the Blues

The reality of life for working-class blacks in the Southern states of the USA – putting the lyrics of the early blues into perspective. 

The first blacks landed in Jamestown, Virginia in 1619 as Indentured Servants. At this time there were also many white British indent servants, often ex convicts, as well as enslaved native Americans. It was the whites who cleared most of the land for the plantations of tobacco, rice, indigo, etc. but these labour-intensive crops were later tilled mainly by black slaves after 1660. After the British Navigation Acts of 1660 forced tobacco prices up in Virginia and Maryland, many plantation owners were unable to keep white labour, and resorted to enslaving blacks in the colonies and importing more slaves from West Africa. Tribes were selected for their sedentary way of life as crop-growers and rearing of livestock, such as the Arada, Dahomey and Fulani tribes, rather than those who were nomadic hunters and more war-like; as were the Hausa tribe for example. 

There ensued a ‘Triangle slave trade’: from England, ships with goods sailed to West Africa to exchange the goods for slaves and then went on to the West Indies and America to exchange the slaves for money or goods which were then returned back to England. Horrific conditions prevailed for slaves and crew in the 'Middle Passage' across the Atlantic. On arrival in Virginia tribes and even families were split up. Communicating instruments such as drums and horns were banned. Despite this slaves' nature, customs, language, dress and particularly their songs lived on. Songs would be sung at their work to help make the days go by. Slaves soon spread southwards to the territories of Carolina (later North and South Carolina), Georgia, Mississippi (later Mississippi and Alabama), and Louisiana. 

Plantation slaves were divided into two categories: House and Field Slave and it was from the latter that the blues originated. Slaves made their own music from their environment (e.g. the quills/syrinx) They had also brought an early version of the banjo from Africa. They also adopted the European Fiddle. Slave songs were also influenced by the spread of Christianity introduced into the South by 1750 and in the early 1800s the first black churches were established. 

In 1793, Eli Whitney's cotton gin appeared which separated fibre from the seed – and this was so improved by the 1820's that cotton became 'king', especially in the Mississippi Delta ,Alabama and Georgia. The slaves were put to work picking the cotton. 

From 1830 onwards the Southern railroads were built. Again it was the slaves who were put to work labouring for the railroad companies. 

Picking cotton and labouring on the railroads became two of the most important themes in the blues. The slave songs evolved to reflect the toil and pain of the slavery. From these slaves came the children who grew up to become the great early blues singers and musicians (see 'Panama Limited' by Bukka White). 

During the American Civil War (1861-65) the ‘Emancipation Proclamation’ was declared by Abraham Lincoln (1863). However the South still needed black labour to do the menial work that the whites wouldn’t do. Then came the Reconstruction Era with reforms in political and social areas, which were monitored by the presence of Federal Troops. At this time the blacks got the vote. Then came the 'crop-lien system' and convict-leasing developed to keep blacks under control upsetting Federal authorities. 

In 1877, the Hayes Compromise was agreed. Troops left the South on  the promise of the Southern States to adhere to the 13th and 15th Amendments relating to equality for black citizens. From 1877 to 1900 came the Post-Reconstruction Era which was a white backlash especially from poor whites. Segregation 'Jim Crow' laws were introduced with the cry of 'Separate but equal'. However by 1900 this meant poor housing, education, job opportunities and total disenfranchisement of blacks. To prevent equality, ludicrous 'tests' were introduced, such as literacy tests, at a time when 97% of blacks were illiterate. Even worse was the so-called 'Grandfather Clause' where a black could claim equality if his grandparents had been free. Strong all-white trade unions kept blacks out of skilled employment and there was a resurgence of the KKK and increased lynchings of black citizens. Peonage spreading and the sharecropping (crop-lien) system kept blacks in virtual slavery. This era, one popular school of thought has it, was the real birth of the blues. 

In the 1880s the lumber and turpentine industries were expanding in states such as Mississippi, Georgia, North Carolina and northern Florida. In Alabama, coal iron and steel were being processed and manufactured. Workers in these industries were predominately black, as well as the track workers, porters and labourers on the railroads in the levee camps along the lower Mississippi River and in mining camps in Kentucky and Pennsylvania. These jobs included the most dangerous and unhealthy work, which most white workers refused to do for any length of time. 

By the 1890s the most popular black church opened, the Church Of God In Christ (C.O.G.I.C.) beginning in the state of Mississippi. Many gospel singers, who were also influenced by the blues were members of the C.O.G.I.C. such as Bessie Smith. At this time travelling medicine shows, circuses and tent shows were all over the South. This minstrel tradition ran from the 1820s to 1860s. These shows, like the cotton, lumber, and coal industries, travelled wholly by rail on lines such as the Illinois Central (I.C.), Mobile & Ohio (M. & O.), Baltimore & Ohio (B. & O.), etc. which all featured in the lyrics of the early blues.

Further Reference:
Savannah Syncopators: African Retentions in the Blues by Paul Oliver
Published by Studio Vista   ISBN: 289.79827.2 9 (Paperback)
An extensive list of American Civil War resources can be found at
Also for the assassination of President Lincoln:
http://www.theaterseatstore.com/assassination-of-lincoln (thanks to the children of Lexington Middle School for supplying this link)

Copyright © 2000 Max Haymes. All Rights Reserved.

Thanks to the kids at 'Enriching Kids' for letting me know about a missing link on this page (now corrected) and the link to American Civil War resources.
 - Alan White, Earlyblues.com


Website © Copyright 2000-2014 Alan White. All Rights Reserved.
Essay © Copyright 2000 Max Haymes. All Rights Reserved.
For further information please email:

Check out other essays here:

Home Page